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The Merry Widow, Act 2: Introduction and Vilja - Sadler's Wells Opera Chorus/William Reid.mp3 Online audition
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Sadler's Wells Opera Chorus/William Reid
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Sadler's Wells Opera Chorus/William Reid
1、The Merry Widow, Act 2: Introduction and Vilja
Felicity Lott/Franz Welser-Möst
2、The Merry Widow, Act II:Introduction and Dance. "Ich bitte, hier jetzt zu verweilen" - Vilja Song. "Es lebt eine Vilja" (Live at Royal Festival Hall, 1993)
Felicity Lott/Franz Welser-Möst
3、The Merry Widow, Act II:Introduction and Dance. "Ich bitte, hier jetzt zu verweilen" - Vilja Song. "Es lebt eine Vilja" (Live at Royal Festival Hall, 1993)
Sadler's Wells Opera Chorus/William Reid
4、The Merry Widow, Act 1: Introduction and Opening Scene
John Lanchbery/State Orchestra of Victoria
5、The Merry Widow, Act I, Scene 1: Introduction (Arr. John Lanchbery and Alan Abbott)
The Vienna State Opera Chorus/Vienna State Opera Orchestra
6、The Merry Widow, Act II: "Introduction, dance" / "Lied vom Waldmägdelein"
Jan Bercu/Arnold Brand
7、The Merry Widow, Act II: Introduction to Vilja-Lied
Franz Lehár/Dan Gibson
8、The Merry Widow, Act I: "The Merry Widow Waltz"
Franz Welser-Möst/London Philharmonic Orchestra
9、The Merry Widow, Act 1:Song. "O Vaterland" (Danilo) [Live at Royal Festival Hall, 1993]
Felicity Lott/Franz Welser-Möst
10、The Merry Widow, Act III:Duet. "Lippen schweigen" (Live at Royal Festival Hall, 1993)
Shinobu Sato/Deutsches Festspielorchester
11、The Merry Widow, Act II:Vilja-Lied
Franz Welser-Möst/London Philharmonic Orchestra
12、The Merry Widow, Act 1:Song. "O Vaterland" (Danilo) [Live at Royal Festival Hall, 1993]
Alison Duguid/Anna O'Byrne
13、The Merry Widow, Act III:Closing Song. "Ja, das Stadium der Weiber ist schwerz" (Live at Royal Festival Hall, 1993)
Christopher Parke/Franz Welser-Möst
14、The Merry Widow, Act II:March-Septet. "Wie die Weiber man behandelt?" (Live at Royal Festival Hall, 1993)
Elżbieta Szmytka/Franz Welser-Möst
15、The Merry Widow, Act II:Duet. "Mein Freund, Vernunft!" - Romance. "Wie eine Rosenknospe" (Live at Royal Festival Hall, 1993)
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