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Part II: The Sacrifice: Sacrificial Dance: The second motif is likewise predominatly rhythmical in effect - Jeremy Siepmann.mp3 Online audition
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Jeremy Siepmann
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Jeremy Siepmann
1、Part II: The Sacrifice: Sacrificial Dance: The second motif is likewise predominatly rhythmical in effect
Jeremy Siepmann
2、Part II: The Sacrifice: Sacrificial Dance: Part II (complete)
Jeremy Siepmann
3、Part II: The Sacrifice: Sacrificial Dance: Two variants: one a rhythmic simplification, the other an expansion
Jeremy Siepmann
4、Part II: The Sacrifice: Sacrificial Dance: A new section, again with two main motifs, the first from wind and strings
Jeremy Siepmann
5、Part II: The Sacrifice: Sacrificial Dance: ...and leads to the coda, the final flourish of the whole work
Jeremy Siepmann
6、Part II: The Sacrifice: Sacrificial Dance: The last movement is based on two motifs, the first most motable for its rhythm
Jeremy Siepmann
7、Part II: The Sacrifice: Sacrificial Dance: Dramatic compression of now-familiar material
Jeremy Siepmann
8、Part II: The Sacrifice: Sacrificial Dance: ...and is twice interrupted by horns
Jeremy Siepmann
9、Part II: The Sacrifice: Sacrificial Dance: Motif No. 1 erupts in full orchestra, then all hell breaks loose
Jeremy Siepmann
10、Part II: The Sacrifice: Sacrificial Dance: New ostinato, over implacable repetitions of Motif No. 1, offset by clarinets
Jeremy Siepmann
11、Part II: The Sacrifice: Sacrificial Dance: Cue to all of Part II and end of CD
Jeremy Siepmann
12、Part II: The Sacrifice: Sacrificial Dance: Motif No. 2 is passed from bassoons to high wind and trumpets...
Jeremy Siepmann
13、Part II: The Sacrifice: Sacrificial Dance: The return of the movement's opening section - or so we may think
Jeremy Siepmann
14、Part II: The Sacrifice: Sacrificial Dance: Horns, doubled by strings, introduce the main idea of this new section
Jeremy Siepmann
15、Part II: The Sacrifice: Glorification of the Chosen One: Motif No. 2: a terrible, off-beat com-pah from strings, horns and oboes
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