Part II: The Sacrifice: Sacrificial Dance: The last movement is based on two motifs, the first most motable for its rhythmLyrics download_Part II: The Sacrifice: Sacrificial Dance: The last movement is based on two motifs, the first most motable for its rhythmLRC lyrics download-Jeremy Siepmann_musicxz

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Part II: The Sacrifice: Sacrificial Dance: The last movement is based on two motifs, the first most motable for its rhythm - Jeremy Siepmann.lrc

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[00:00.00-1] 作曲 : anonymous

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作曲 : anonymous

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Jeremy Siepmann1、Part II: The Sacrifice: Sacrificial Dance: The last movement is based on two motifs, the first most motable for its rhythm
Jeremy Siepmann2、Part II: The Sacrifice: Sacrificial Dance: Part II (complete)
Jeremy Siepmann3、Part II: The Sacrifice: Sacrificial Dance: Two variants: one a rhythmic simplification, the other an expansion
Jeremy Siepmann4、Part II: The Sacrifice: Sacrificial Dance: ...and is twice interrupted by horns
Jeremy Siepmann5、Part II: The Sacrifice: Sacrificial Dance: ...and leads to the coda, the final flourish of the whole work
Jeremy Siepmann6、Part II: The Sacrifice: Sacrificial Dance: A new section, again with two main motifs, the first from wind and strings
Jeremy Siepmann7、Part II: The Sacrifice: Sacrificial Dance: Dramatic compression of now-familiar material
Jeremy Siepmann8、Part II: The Sacrifice: Sacrificial Dance: Tension dramatically increased by a violent interruption from timpani and gong
Jeremy Siepmann9、Part II: The Sacrifice: Sacrificial Dance: A terrifying cocktail of motifs old and new confounds expectations...
Jeremy Siepmann10、Part II: The Sacrifice: Sacrificial Dance: A new section, kick-started by percussion: timpani, bass drum and gong
Jeremy Siepmann11、Part II: The Sacrifice: Sacrificial Dance: This is joined by another bried but very striking motif from muted brass
Jeremy Siepmann12、Part II: The Sacrifice: Sacrificial Dance: The second motif is likewise predominatly rhythmical in effect
Jeremy Siepmann13、Part II: The Sacrifice: Sacrificial Dance: Motif No. 1 erupts in full orchestra, then all hell breaks loose
Jeremy Siepmann14、Part II: The Sacrifice: Sacrificial Dance: New ostinato, over implacable repetitions of Motif No. 1, offset by clarinets
Jeremy Siepmann15、Part II: The Sacrifice: Sacrificial Dance: Cue to all of Part II and end of CD

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