Part II: The Sacrifice: Mystic Circles of the Young Girls: New motif, heralded by clarinets and violins, is introduced by alto fluteJeremy SiepmannMP3 download_Part II: The Sacrifice: Mystic Circles of the Young Girls: New motif, heralded by clarinets and violins, is introduced by alto fluteOnline audition

Part II: The Sacrifice: Mystic Circles of the Young Girls: New motif, heralded by clarinets and violins, is introduced by alto flute - Jeremy Siepmann.mp3 Online audition

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singer：Jeremy Siepmann

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Jeremy Siepmann1、Part II: The Sacrifice: Mystic Circles of the Young Girls: New motif, heralded by clarinets and violins, is introduced by alto flute
Jeremy Siepmann2、Part II: The Sacrifice: Mystic Circles of the Young Girls: Motif from the Introduction varied and extended
Jeremy Siepmann3、Part II: The Sacrifice: Mystic Circles of the Young Girls: Continued by oboes and bassoons; new motif in violins, cellos and bass clarinet
Jeremy Siepmann4、Part II: The Sacrifice: Mystic Circles of the Young Girls: Texture, balance and tone colour keep changing
Jeremy Siepmann5、Part II: The Sacrifice: Mystic Circles of the Young Girls: New derivative of Motif No. 2, a host of new sounds - and again the bleat
Jeremy Siepmann6、Part II: The Sacrifice: Mystic Circles of the Young Girls: Into the finishing stretch, and we know we're in for something big
Jeremy Siepmann7、Part II: The Sacrifice: Mystic Circles of the Young Girls: Putting the movement back together again
Jeremy Siepmann8、Part II: The Sacrifice: Mystic Circles of the Young Girls: All change - direction, tone colour, metre - and two new ostinatos
Jeremy Siepmann9、Part II: The Sacrifice: Mystic Circles of the Young Girls: Variant of Motif No. 2 given out by two clarinets
Jeremy Siepmann10、Part II: The Sacrifice: Mystic Circles of the Young Girls: Instrumental enrichment, new counterpoint and a bleat of alarm
Jeremy Siepmann11、Part II: The Sacrifice: Mystic Circles of the Young Girls: Main motifs yield to new idea from flutes
Jeremy Siepmann12、Part II: The Sacrifice: Mystic Circles of the Young Girls: Mystic Circles of the Young Girls (complete)
Jeremy Siepmann13、Part II: The Sacrifice: Mystic Circles of the Young Girls: Motif No. 1 returns in horn, then passed to flutes and strings
Jeremy Siepmann14、Part II: The Sacrifice: Sacrificial Dance: Two variants: one a rhythmic simplification, the other an expansion
Jeremy Siepmann15、Part II: The Sacrifice: Introduction: Tone colour as atmosphere - the strings' motif

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Part II: The Sacrifice: Mystic Circles of the Young Girls: New motif, heralded by clarinets and violins, is introduced by alto flute - Jeremy Siepmann.mp3 Online audition

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