An Introduction to … DVORAK Symphony No. 9, "From the New World": Transition to the secondary theme through the use of sequence. Sonata form; satability and fluxJeremy SiepmannMP3 download_An Introduction to … DVORAK Symphony No. 9, "From the New World": Transition to the secondary theme through the use of sequence. Sonata form; satability and fluxOnline audition

An Introduction to … DVORAK Symphony No. 9, "From the New World": Transition to the secondary theme through the use of sequence. Sonata form; satability and flux - Jeremy Siepmann.mp3 Online audition

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singer：Jeremy Siepmann

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Jeremy Siepmann1、An Introduction to … DVORAK Symphony No. 9, "From the New World": Perhaps this is it? Back for a reminder of the theme proper, as we first heard it
Jeremy Siepmann2、An Introduction to … DVORAK Symphony No. 9, "From the New World": The orchestral texture thins dramatically, and we approach what this time really is the Trio section.
Jeremy Siepmann3、An Introduction to … DVORAK Symphony No. 9, "From the New World": Fourth movement (complete)
Jeremy Siepmann4、An Introduction to … DVORAK Symphony No. 9, "From the New World": The role of instrumentation in setting the scene...
Jeremy Siepmann5、An Introduction to … DVORAK Symphony No. 9, "From the New World": The main theme: an imposing march, introduced by trumpets and trombones, with timpani
Jeremy Siepmann6、An Introduction to … DVORAK Symphony No. 9, "From the New World": Back to the start to hear the whole of the story so far, this time without commentary
Jeremy Siepmann7、An Introduction to … DVORAK Symphony No. 9, "From the New World": Dvorak, Beethoven, and the Scherzo. Dvorak purposely confuses the listener's expectations.
Jeremy Siepmann8、An Introduction to … DVORAK Symphony No. 9, "From the New World": More 'Three Blind Mice' material
Jeremy Siepmann9、An Introduction to … DVORAK Symphony No. 9, "From the New World": A point of future obsession
Jeremy Siepmann10、An Introduction to … DVORAK Symphony No. 9, "From the New World": A quiet beginning: sorrow, syncopation, and sequence
Jeremy Siepmann11、An Introduction to … DVORAK Symphony No. 9, "From the New World": Now they return to the high winds, delicately trilling.
Jeremy Siepmann12、An Introduction to … DVORAK Symphony No. 9, "From the New World": The same thing again (though not quite the same)
Jeremy Siepmann13、An Introduction to … DVORAK Symphony No. 9, "From the New World": It is the second half of the theme that dominates.
Jeremy Siepmann14、An Introduction to … DVORAK Symphony No. 9, "From the New World": Again we hear the shortened version of the secondary theme
Jeremy Siepmann15、An Introduction to … DVORAK Symphony No. 9, "From the New World": Much of the development comes from a diminution of the closing theme from the exposition.

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An Introduction to … DVORAK Symphony No. 9, "From the New World": Transition to the secondary theme through the use of sequence. Sonata form; satability and flux - Jeremy Siepmann.mp3 Online audition

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