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Part II: The Sacrifice: Glorification of the Chosen One: The middle section begins with a massive but unequal confrontation - Jeremy Siepmann.lrc
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[00:00.00-1] 作曲 : anonymous
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作曲 : anonymous
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Jeremy Siepmann
1、Part II: The Sacrifice: Glorification of the Chosen One: The middle section begins with a massive but unequal confrontation
Jeremy Siepmann
2、Part II: The Sacrifice: Glorification of the Chosen One: In the midst of the fray, a new 'rising motif' emerges...
Jeremy Siepmann
3、Part II: The Sacrifice: Glorification of the Chosen One: A study in the bruality of suspense - a musical mugging
Jeremy Siepmann
4、Part II: The Sacrifice: Glorification of the Chosen One: The air is filled with the fearsome baying of wind and violins
Jeremy Siepmann
5、Part II: The Sacrifice: Glorification of the Chosen One: Against the odds, the 'descending motif' comes out on top
Jeremy Siepmann
6、Part II: The Sacrifice: Glorification of the Chosen One: A much-needed breath before the movement entire
Jeremy Siepmann
7、Part II: The Sacrifice: Glorification of the Chosen One: Motif No. 2: a terrible, off-beat com-pah from strings, horns and oboes
Jeremy Siepmann
8、Part II: The Sacrifice: Sacrificial Dance: The return of the movement's opening section - or so we may think
Jeremy Siepmann
9、Part II: The Sacrifice: Glorification of the Chosen One: A variant of Motif No. 2, but now descending
Jeremy Siepmann
10、Part II: The Sacrifice: Glorification of the Chosen One: Glorification of the Chosen One (complete)
Jeremy Siepmann
11、Part II: The Sacrifice: Ritual Action of the Ancestors: The movement ends with a varied reprise of the opening
Jeremy Siepmann
12、Part II: The Sacrifice: Ritual Action of the Ancestors: The motif disappears, though the background ostinato continues
Jeremy Siepmann
13、Part II: The Sacrifice: Glorification of the Chosen One: On into one of the most sensational movements ever written
Jeremy Siepmann
14、Part II: The Sacrifice: Evocation of the Ancestors: The next movement consists of a single, chordal motif, three times varied
Jeremy Siepmann
15、Part II: The Sacrifice: Glorification of the Chosen One: The violence is almost graphic. An example of musical terrorism
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