Acis and Galatea HWV 49: Act I, Air. “Where Shall I Seek the Charming Fair?” (Acis)Lyrics download_Acis and Galatea HWV 49: Act I, Air. “Where Shall I Seek the Charming Fair?” (Acis)LRC lyrics download-Mercury Chamber Orchestra/Antoine Plante_musicxz

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Acis and Galatea HWV 49: Act I, Air. “Where Shall I Seek the Charming Fair?” (Acis) - Mercury Chamber Orchestra/Antoine Plante.lrc

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[00:00.00-1] 作曲 : George frideric Handel

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作曲 : George frideric Handel

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Christian Curnyn/Early Opera Company1、Acis and Galatea, HWV 49a, Act II: Air. Love Sounds Th' Alarm (Acis)
William Christie/Georg Friedrich Händel2、Acis and Galatea:Act 1 "Where shall I seek the charming fair?" [Acis]
Ana-Maria Rincon/Laurence Cummings3、Acis and Galatea, HWV 49: "Where shall I seek the charming fair"
Dominique Labelle/Anca Nicolau4、Acis and Galatea, HWV 49: Act I: As when the dove
Suzie Le Blanc/Mark Bleeke5、Acis and Galatea, HWV 49: I: Aria: Where shall I seek the charming fair (Acis)
Stephen Stubbs/Aaron Sheehan6、Acis and Galatea, HWV 49: I: Aria: Where shall I seek the charming fair (Acis)
Robert Tear/Academy of St. Martin in the Fields7、Acis and Galatea, HWV 49, Act I:Where Shall I Seek the Charming Fair?
Jill Gomez/Robert Tear8、Acis and Galatea, HWV 49, Act II:The Flocks Shall Leave the Mountains
Benjamin Luxon/Academy of St. Martin in the Fields9、Acis and Galatea, HWV 49, Act II:O Ruddier Than the Cherry
Thurston Dart/Joan Sutherland10、Acis and Galatea, HWV 49 / Act II:The flocks shall leave the mountains
Robin Doveton/Nancy Hadden11、Acis and Galatea, HWV 49: I: Aria: Where shall I seek the charming fair (Acis)
Robert Tear/Academy of St. Martin in the Fields12、Acis and Galatea / Act 1:Where shall I seek the charming fair?
English Baroque Soloists/Anthony Rolfe Johnson13、Acis and Galatea HWV 49:Where Shall I Seek The Charming Fair
Didier Jean/Les Arts Florissants14、Acis and Galatea, HWV 49, Act 1:Air. "As when the dove" (Galatea)
The English Concert/Trevor Pinnock15、Acis and Galatea - Arr. Mozart K. 566 / Act II:Largo (Händel: Concerto grosso Op. 6 No. 7, Einleitung)

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