[00:00.00] 作词 : Conor Oberst
[00:01.00] 作曲 : Bright Eyes
[00:11.15]Did you expect it all to stop
[00:16.35]At the wave of your hand?
[00:20.24]Like the sun is just gonna drop
[00:24.80]If it's night you demand
[00:28.42]Well, in the dark we are just air
[00:33.20]So the house might dissolve
[00:36.98]But once we are gone, who's gonna care
[00:40.98]If we were ever here at all?
[00:46.18]Well, summer is going to come
[00:48.70]It's gonna cloud our eyes again
[00:51.33]No need to focus
[00:52.90]When there is nothing that's worth seeing
[00:58.58]So we trade liquor for blood
[01:02.89]In an attempt to tip the scales
[01:06.91]I think you lost what you loved in that mess of details
[01:14.91]They seemed so important at the time
[01:19.35]But now you can't even recall
[01:23.88]Any of the names, faces, or lines
[01:28.30]It's more the feeling of it all
[01:32.55]Well, winter is going to end
[01:34.80]I'm gonna clean these veins again
[01:38.00]So close to dying that I finally can start living
[02:30.91](Fake Interview)
[02:32.49]Host: Hi, we're back. This is Radio K*X and we're here with Conor Oberst of the band Bright Eyes. How are you doing Conor?
[02:39.18]Conor: Fine, thanks. Just a little wet
[02:42.57]H: Oh it's still coming down out there
[02:44.23]C: Yeah, I sort of had to run from the car
[02:47.14]H: Well, we are glad you made it. Now your new album, Fevers and Mirrors. Tell us a little bit about the title. I noticed there is a good deal of repeated imagery in the lyrics, fevers, mirrors, scales, clocks. Could you discuss some of this?
[03:00.51]C: Sure. Let's see, the fever is--
[03:03.99]H: First let me say, that this is a brilliant record, man, we're all really into it here at the station. We get lots of calls, it's really good stuff
[03:12.42]C: Thanks, thanks a lot
[03:14.00]H: So talk a little bit about some of the symbolism
[03:16.00]C: The fever?
[03:18.00]H: Sure
[03:19.88]C: Well the fever is basically whatever ails you or oppresses you, it could be anything. In my case it's my neurosis, my depression, but I don't want to be limited to that. It's certainly different for different people. It's whatever keeps you up at night
[03:36.00]H: I see
[03:38.62]C: And then the mirror is like, as you might have guessed, self-examination or reflection or whatever form. This could be vanity or self-loathing. I don't know, I'm guilty of both
[03:51.83]H: That's interesting. How about the scale?
[03:55.61]C: The scale is essentially our attempt to solve our problems quantitatively through logic or rationalization. In my opinion it's often fruitless, but always, well, not always. And the clocks and calendars, etc., it's just time, our little measurements. It's like, it's always chasing after us
[04:22.32]H: It is, it is. How about this Arienette, how does she fit in to all of this?
[04:28.23]C: I'd prefer not talk about it, in case she's listening
[04:32.80]H: Oh, I'm sorry, I didn't realize she was a real person
[04:36.20]C: She's not, but I made her up
[04:39.64]H: Oh, so she's not real?
[04:41.53]C: Just as real as you or I
[04:43.63]H: I don't think I understand
[04:46.60]C: Neither do I, but after I grow up I will. I mean, you know a lot, a lot of things are really unclear for me right now
[04:54.73]H: That's interesting. Now you mentioned your depression
[04:57.91]C: No I didn't
[04:59.59]H: You're from Nebraska, right?
[05:00.59]C: Yeah, that's right
[05:01.78]H: Now let me know if I'm getting too personal, but there seems to be a pretty dark past back there somewhere. What was it like from growing up?
[05:08.60]C: Dark? Not really. Actually I had a great childhood. My parents were wonderful. I went to a Catholic school. They have, they had money, so it was all easy. I basically had everything that I wanted anytime
[05:28.39]H: Really? So some of the references like babies in bathtubs are not biographical?
[05:34.00]C: Well I did have a brother who died in a bathtub... he drowned. Well actually I had five brothers that died that way
[05:41.06]H: (Chuckle)
[05:42.39]C: No, I'm serious. My mother drowned one every year for five consecutive years. They were all named Padraic, so that's why they only got one song. It's kind of like walking out a door and discovering that it's a window
[05:59.52]H: But your music is certainly very personal
[06:02.25]C: Of course, I put a lot of myself into what I do. It's like being an author, you have to free yourself to use symbolism and allegory to reach your goal. And a part of that is compassion, empathy for other people and their situations. Some of what I sing about comes from other people's experiences, as well. It shouldn't matter, the message is intended to be universal
[06:27.00]H: I see what you mean
[06:30.00]C: Can you make that sound stop, please?
[06:32.13]H: Yes. And your goal?
[06:37.39]C: I don't know. Create feelings I guess. A song... it never ends up the way you planned it, though
[06:44.67]H: That's funny you would say that, do you think that--
[06:46.60]C: Do you ever hear things that aren't really there?
[06:48.75]H: I'm sorry, what?
[06:51.24]C: Never mind. How long have you worked at this station?
[06:54.52]H: Oh, just a few minutes. Now you mentioned empathy for others. Would you say that that is what motivates you to make the music that you make?
[07:02.00]C: No, not really. It's more a need for sympathy. I want people to feel sorry for me. I like to feel the burn of the audience's eyes on me when I'm whispering all my darkest secrets into the microphone.
[07:14.54](Real Conor talking in the background)
[07:17.00]When I was a kid I used to carry a safety pin around with me every where I went in my pocket, and when people weren't paying enough attention to me, I'd dig it into my arm until I started crying. Everyone would stop what they were doing and ask me what was the matter. I guess, I guess I kind of liked that
[07:33.35]H: Really, you're telling me that you're doing all of this for attention?
[07:37.26]C: No, I hate it when people look at me, I get nauseous. In fact, I couldn't care less what people think about me. Do you feel that? You wanna dance?
[07:49.13]H: No, I'm feeling sick
[07:51.81]C: I realize I just want to be warm yellow light that pours all over everyone I love
[07:55.34]H: So you're gonna to play something for us now. Is this a new song?
[08:00.61]C: Yeah, but I haven't written it yet. It's one I've been meaning to write, called A Song To Pass The Time
[08:09.02]H: Oh, that's a nice title
[08:15.01]C: You should write your own scripts
[08:16.00]H: Yeah, I know

作词 : Conor Oberst
作曲 : Bright Eyes
Did you expect it all to stop
At the wave of your hand?
Like the sun is just gonna drop
If it's night you demand
Well, in the dark we are just air
So the house might dissolve
But once we are gone, who's gonna care
If we were ever here at all?
Well, summer is going to come
It's gonna cloud our eyes again
No need to focus
When there is nothing that's worth seeing
So we trade liquor for blood
In an attempt to tip the scales
I think you lost what you loved in that mess of details
They seemed so important at the time
But now you can't even recall
Any of the names, faces, or lines
It's more the feeling of it all
Well, winter is going to end
I'm gonna clean these veins again
So close to dying that I finally can start living
(Fake Interview)
Host: Hi, we're back. This is Radio K*X and we're here with Conor Oberst of the band Bright Eyes. How are you doing Conor?
Conor: Fine, thanks. Just a little wet
H: Oh it's still coming down out there
C: Yeah, I sort of had to run from the car
H: Well, we are glad you made it. Now your new album, Fevers and Mirrors. Tell us a little bit about the title. I noticed there is a good deal of repeated imagery in the lyrics, fevers, mirrors, scales, clocks. Could you discuss some of this?
C: Sure. Let's see, the fever is--
H: First let me say, that this is a brilliant record, man, we're all really into it here at the station. We get lots of calls, it's really good stuff
C: Thanks, thanks a lot
H: So talk a little bit about some of the symbolism
C: The fever?
H: Sure
C: Well the fever is basically whatever ails you or oppresses you, it could be anything. In my case it's my neurosis, my depression, but I don't want to be limited to that. It's certainly different for different people. It's whatever keeps you up at night
H: I see
C: And then the mirror is like, as you might have guessed, self-examination or reflection or whatever form. This could be vanity or self-loathing. I don't know, I'm guilty of both
H: That's interesting. How about the scale?
C: The scale is essentially our attempt to solve our problems quantitatively through logic or rationalization. In my opinion it's often fruitless, but always, well, not always. And the clocks and calendars, etc., it's just time, our little measurements. It's like, it's always chasing after us
H: It is, it is. How about this Arienette, how does she fit in to all of this?
C: I'd prefer not talk about it, in case she's listening
H: Oh, I'm sorry, I didn't realize she was a real person
C: She's not, but I made her up
H: Oh, so she's not real?
C: Just as real as you or I
H: I don't think I understand
C: Neither do I, but after I grow up I will. I mean, you know a lot, a lot of things are really unclear for me right now
H: That's interesting. Now you mentioned your depression
C: No I didn't
H: You're from Nebraska, right?
C: Yeah, that's right
H: Now let me know if I'm getting too personal, but there seems to be a pretty dark past back there somewhere. What was it like from growing up?
C: Dark? Not really. Actually I had a great childhood. My parents were wonderful. I went to a Catholic school. They have, they had money, so it was all easy. I basically had everything that I wanted anytime
H: Really? So some of the references like babies in bathtubs are not biographical?
C: Well I did have a brother who died in a bathtub... he drowned. Well actually I had five brothers that died that way
H: (Chuckle)
C: No, I'm serious. My mother drowned one every year for five consecutive years. They were all named Padraic, so that's why they only got one song. It's kind of like walking out a door and discovering that it's a window
H: But your music is certainly very personal
C: Of course, I put a lot of myself into what I do. It's like being an author, you have to free yourself to use symbolism and allegory to reach your goal. And a part of that is compassion, empathy for other people and their situations. Some of what I sing about comes from other people's experiences, as well. It shouldn't matter, the message is intended to be universal
H: I see what you mean
C: Can you make that sound stop, please?
H: Yes. And your goal?
C: I don't know. Create feelings I guess. A song... it never ends up the way you planned it, though
H: That's funny you would say that, do you think that--
C: Do you ever hear things that aren't really there?
H: I'm sorry, what?
C: Never mind. How long have you worked at this station?
H: Oh, just a few minutes. Now you mentioned empathy for others. Would you say that that is what motivates you to make the music that you make?
C: No, not really. It's more a need for sympathy. I want people to feel sorry for me. I like to feel the burn of the audience's eyes on me when I'm whispering all my darkest secrets into the microphone.
(Real Conor talking in the background)
When I was a kid I used to carry a safety pin around with me every where I went in my pocket, and when people weren't paying enough attention to me, I'd dig it into my arm until I started crying. Everyone would stop what they were doing and ask me what was the matter. I guess, I guess I kind of liked that
H: Really, you're telling me that you're doing all of this for attention?
C: No, I hate it when people look at me, I get nauseous. In fact, I couldn't care less what people think about me. Do you feel that? You wanna dance?
H: No, I'm feeling sick
C: I realize I just want to be warm yellow light that pours all over everyone I love
H: So you're gonna to play something for us now. Is this a new song?
C: Yeah, but I haven't written it yet. It's one I've been meaning to write, called A Song To Pass The Time
H: Oh, that's a nice title
C: You should write your own scripts
H: Yeah, I know