Part II: The Sacrifice: Glorification of the Chosen One: The violence is almost graphic. An example of musical terrorismLyrics download_Part II: The Sacrifice: Glorification of the Chosen One: The violence is almost graphic. An example of musical terrorismLRC lyrics download-Jeremy Siepmann_musicxz

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Part II: The Sacrifice: Glorification of the Chosen One: The violence is almost graphic. An example of musical terrorism - Jeremy Siepmann.lrc

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[00:00.00-1] 作曲 : anonymous

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作曲 : anonymous

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Jeremy Siepmann1、Part II: The Sacrifice: Glorification of the Chosen One: The violence is almost graphic. An example of musical terrorism
Jeremy Siepmann2、Part II: The Sacrifice: Glorification of the Chosen One: On into one of the most sensational movements ever written
Jeremy Siepmann3、Part II: The Sacrifice: Glorification of the Chosen One: A much-needed breath before the movement entire
Jeremy Siepmann4、Part II: The Sacrifice: Glorification of the Chosen One: The middle section begins with a massive but unequal confrontation
Jeremy Siepmann5、Part II: The Sacrifice: Glorification of the Chosen One: The air is filled with the fearsome baying of wind and violins
Jeremy Siepmann6、Part II: The Sacrifice: Sacrificial Dance: The return of the movement's opening section - or so we may think
Jeremy Siepmann7、Part II: The Sacrifice: Glorification of the Chosen One: Glorification of the Chosen One (complete)
Jeremy Siepmann8、Part II: The Sacrifice: Glorification of the Chosen One: A variant of Motif No. 2, but now descending
Jeremy Siepmann9、Part II: The Sacrifice: Ritual Action of the Ancestors: The movement ends with a varied reprise of the opening
Jeremy Siepmann10、Part II: The Sacrifice: Glorification of the Chosen One: A study in the bruality of suspense - a musical mugging
Jeremy Siepmann11、Part II: The Sacrifice: Glorification of the Chosen One: In the midst of the fray, a new 'rising motif' emerges...
Jeremy Siepmann12、Part II: The Sacrifice: Glorification of the Chosen One: Against the odds, the 'descending motif' comes out on top
Jeremy Siepmann13、Part II: The Sacrifice: Evocation of the Ancestors: The next movement consists of a single, chordal motif, three times varied
Jeremy Siepmann14、Part II: The Sacrifice: Glorification of the Chosen One: ...and undergoes a typcially Stravinskyan expansion and compression
Jeremy Siepmann15、Part II: The Sacrifice: Glorification of the Chosen One: Motif No. 2: a terrible, off-beat com-pah from strings, horns and oboes

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