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Leaving Beirut - Roger Waters.lrc
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[00:00.000] 作词 : Roger Waters[00:01.000] 作曲 : Roger Waters[01:41.200]So we left Beirut, Willa and I[01:44.412]He headed East to Baghdad and the rest of it[01:47.675]I set out North on home[01:50.845]I walked the five or six miles to the last of the street lamps[01:54.217]And hunkered in the curb side dusk[01:56.841]Holding out my thumb[01:58.119]In no great hope at the ramshackle procession of homebound traffic[02:03.311]Success[02:05.190]An ancient Mercedes Dolmuş[02:07.471]The ubiquitous, Arab shared taxi drew up[02:11.418]I turned out my pockets and shrugged at the driver[02:14.903]"J'ai pas de l'argent"[02:16.850]"Venez, " a soft voice from the back seat[02:20.328]The driver lent wearily across and pushed open the back door[02:24.896]I stooped to look inside at the two men there[02:27.689]One besuited, bespectacled, moustached, irritated, distant, late[02:33.684]The other, the one who had spoken[02:36.510]Frail, fifty five-ish, bald, sallow, in a short sleeved pale blue cotton shirt[02:42.283]With one biro in the breast pocket[02:44.668]A clerk maybe, slightly sunken in the seat[02:48.332]"Venez, " he said again, and smiled[02:51.974]"Mais j'ai pas de l'argent"[02:53.223]"Oui, oui, d'accord, venez!"[02:57.844]Are these the people that we should bomb?[03:04.873]Are we so sure they mean us harm?[03:11.943]Is this our pleasure, punishment or crime?[03:18.592]Is this a mountain that we really want to climb?[03:25.508]The road is hard, hard and long[03:32.258]Put down that two by four[03:34.896]This man would never turn you from his door[03:39.563]Oh George, oh George[03:45.150]That Texas education must have ****ed you up when you were very small[03:53.399]He beckoned with a small arthritic motion of his hand[03:57.214]Fingers together like a child waving goodbye[04:01.317]The driver put my old Hofner guitar in the boot with my rucksack[04:04.481]And off we went[04:07.442]"Vous êtes français, monsieur?"[04:09.006]"Non, anglais"[04:10.016]"Ah! Anglais"[04:12.787]"Est-ce que vous parlais anglais, Monsieur?"[04:14.773]"Non, je regrette"[04:16.969]And so on[04:18.200]In small talk between strangers, his French alien but correct[04:22.553]Mine halting but eager to please[04:24.723]A lift, after all, is a lift[04:28.473]Late moustache left us brusquely[04:30.592]And some miles later the Dolmuş slowed at a crossroads lit by a single lightbulb[04:34.827]Swung through a U-turn and stopped in a cloud of dust[04:38.856]I opened the door and got out[04:40.748]But my benefactor made no move to follow[04:47.139]The driver dumped my guitar and rucksack at my feet[04:49.467]And waving away my thanks returned to the boot[04:52.061]Only to reappear with a pair of alloy crutches[04:55.264]Which he leaned against the rear wing of the Mercedes[04:58.950]He reached into the car and lifted my companion out[05:01.710]Only one leg, the second trouser leg neatly pinned beneath a vacant hip[05:06.653]"Monsieur, si vous voulez, ça sera un honneur pour nous[05:09.496]Si vous venez avec moi à la maison pour manger avec ma femme"[05:15.068]When I was 17 my mother, bless her heart[05:21.969]Fulfilled my summer dream[05:24.625]She handed me the keys to the car[05:29.133]We motored down to Paris, fuelled with Dexedrine and booze[05:34.894]Got bust in Antibes by the cops[05:38.280]And fleeced in Naples by the wops[05:42.611]But everyone was kind to us, we were the English dudes[05:48.635]Our dads had helped them win the war[05:52.176]When we all know what we were fighting for[05:56.383]But now an Englishman abroad is just a US stooge[06:02.373]The bulldog is a poodle snapping round the scoundrel's last refuge[06:10.060]"Ma femme"[06:11.985]Thank God, monopod but not queer[06:16.462]The taxi drove off[06:17.682]Leaving us in the dim light of the swinging bulb[06:20.261]No building in sight[06:21.682]What the hell[06:23.604]"Merci, monsieur"[06:25.042]"Bon, venez!"[06:26.778]His faced creased in pleasure, he set off in front of me[06:30.120]Swinging his leg between the crutches with agonising care[06:33.471]Up the dusty side road into the darkness[06:37.700]After half an hour, we'd gone maybe half a mile[06:40.333]When on the right I made out the low profile of a building[06:44.339]He called out in Arabic to announce our arrival[06:47.403]And after some scuffling inside, a lamp was lit[06:50.489]And the changing angle of light in the wide crack under the door[06:53.671]Signalled the approach of someone within[07:01.241]The door creaked open and there, holding a biblical looking oil lamp[07:05.141]Stood a squat, moustached woman, stooped, smiling up at us[07:11.856]She stood aside to let us in and as she turned[07:14.054]I saw the reason for her stoop[07:15.943]She carried on her back a shocking hump[07:19.441]I nodded and smiled back at her in greeting, fighting for control[07:26.045]The gentleness between the one-legged man[07:28.050]And his monstrous wife almost too much for me[07:31.635]Is gentleness too much for us?[07:34.900]Should gentleness be filed along with empathy?[07:41.715]We feel for someone else's child[07:45.498]Every time a smart bomb does its sums and gets it wrong[07:52.306]Someone else's child dies and equities in defence rise[07:58.986]America, America, please hear us when we call[08:05.553]You got hip-hop, be-bop, hustle and bustle[08:08.756]You got Atticus Finch[08:10.630]You got Jane Russell[08:12.723]You got freedom of speech[08:14.298]You got great beaches, wildernesses and malls[08:19.424]Don't let the might, the Christian right, **** it all up[08:24.556]For you and the rest of the world[08:27.915]They talked excitedly[08:29.702]She went to take his crutches in routine of care[08:32.608]He chiding, gestured[08:34.813]"We have a guest"[08:36.586]She, embarrassed by her faux pas[08:38.603]Took my things and laid them gently in the corner[08:42.014]"Du thé?"[08:44.316]We sat on meagre cushions in one corner of the single room[08:47.379]The floor was earth, packed hard and by one wall a raised platform[08:51.549]Some six foot by four covered by a simple sheet, the bed[08:56.811]The hunchback busied herself with small copper pots over an open hearth[09:00.919]And brought us tea, hot and sweet[09:03.787]And so to dinner[09:05.236]Flat, unleavened bread, wafer thin[09:07.929]Cooked in an iron skillet on the open hearth[09:10.227]Then folded and dipped into the soft insides of female sea urchins[09:15.562]My hostess did not eat, I ate her dinner[09:19.353]She would hear of nothing else, I was their guest[09:22.700]Then she retired behind a curtain[09:25.417]And left the men to sit drinking thimbles full of Arak[09:29.200]Carefully poured from a small bottle with a faded label[09:32.678]Soon she reappeared, radiant[09:35.572]Carrying in her arms their pride and joy, their child[09:41.766]I'd never seen a squint like that[09:44.782]So severe that as one eye looked out the other disappeared behind its nose[09:49.450]Not in my name, Tony, you great war leader you[09:55.585]Terror is still terror, whosoever gets to frame the rules[10:02.675]History's not written by the vanquished or the damned[10:10.016]Now we are Genghis Khan, Lucrezia Borgia, Son of Sam[10:16.190]In 1961 they took this child into their home[10:23.012]I wonder what became of them[10:26.133]In the cauldron that was Lebanon[10:30.602]If I could find them now, could I make amends?[10:37.593]How does the story end?[10:44.929]And so to bed, me that is, not them[10:50.690]Of course they slept on the floor behind a curtain[10:54.884]Whilst I lay awake all night on their earthen bed[10:58.629]Then came the dawn and then their quiet stirrings[11:02.335]Careful not to wake the guest[11:05.145]I yawned in great pretence[11:07.028]And took the proffered bowl of water heated up and washed[11:10.582]And sipped my coffee in its tiny cup[11:13.293]And then with much "merci-ing" and bowing and shaking of hands[11:16.819]We left the woman to her chores[11:19.417]And we men made our way back to the crossroads[11:23.220]The painful slowness of our progress accentuated by the brilliant morning light[11:32.030]The Dolmuş duly reappeared[11:34.821]My host gave me one crutch and leaning on the other[11:37.520]Shook my hand and smiled[11:39.870]"Merci, monsieur, " I said[11:41.969]"De rien"[11:43.658]"And merci à votre femme, elle est très gentille"[11:49.392]Giving up his other crutch[11:50.569]He allowed himself to be folded into the back seat again[11:54.322]"Bon voyage, monsieur, " he said[11:56.741]And half bowed as the taxi headed south towards the city[12:02.152]I turned north, my guitar over my shoulder[12:05.585]And the first hot gust of wind[12:07.792]Quickly dried the salt tears from my young cheeks
text lyrics
作词 : Roger Waters 作曲 : Roger WatersSo we left Beirut, Willa and IHe headed East to Baghdad and the rest of itI set out North on homeI walked the five or six miles to the last of the street lampsAnd hunkered in the curb side duskHolding out my thumbIn no great hope at the ramshackle procession of homebound trafficSuccessAn ancient Mercedes DolmuşThe ubiquitous, Arab shared taxi drew upI turned out my pockets and shrugged at the driver"J'ai pas de l'argent""Venez, " a soft voice from the back seatThe driver lent wearily across and pushed open the back doorI stooped to look inside at the two men thereOne besuited, bespectacled, moustached, irritated, distant, lateThe other, the one who had spokenFrail, fifty five-ish, bald, sallow, in a short sleeved pale blue cotton shirtWith one biro in the breast pocketA clerk maybe, slightly sunken in the seat"Venez, " he said again, and smiled"Mais j'ai pas de l'argent""Oui, oui, d'accord, venez!"Are these the people that we should bomb?Are we so sure they mean us harm?Is this our pleasure, punishment or crime?Is this a mountain that we really want to climb?The road is hard, hard and longPut down that two by fourThis man would never turn you from his doorOh George, oh GeorgeThat Texas education must have ****ed you up when you were very smallHe beckoned with a small arthritic motion of his handFingers together like a child waving goodbyeThe driver put my old Hofner guitar in the boot with my rucksackAnd off we went"Vous êtes français, monsieur?""Non, anglais""Ah! Anglais""Est-ce que vous parlais anglais, Monsieur?""Non, je regrette"And so onIn small talk between strangers, his French alien but correctMine halting but eager to pleaseA lift, after all, is a liftLate moustache left us brusquelyAnd some miles later the Dolmuş slowed at a crossroads lit by a single lightbulbSwung through a U-turn and stopped in a cloud of dustI opened the door and got outBut my benefactor made no move to followThe driver dumped my guitar and rucksack at my feetAnd waving away my thanks returned to the bootOnly to reappear with a pair of alloy crutchesWhich he leaned against the rear wing of the MercedesHe reached into the car and lifted my companion outOnly one leg, the second trouser leg neatly pinned beneath a vacant hip"Monsieur, si vous voulez, ça sera un honneur pour nousSi vous venez avec moi à la maison pour manger avec ma femme"When I was 17 my mother, bless her heartFulfilled my summer dreamShe handed me the keys to the carWe motored down to Paris, fuelled with Dexedrine and boozeGot bust in Antibes by the copsAnd fleeced in Naples by the wopsBut everyone was kind to us, we were the English dudesOur dads had helped them win the warWhen we all know what we were fighting forBut now an Englishman abroad is just a US stoogeThe bulldog is a poodle snapping round the scoundrel's last refuge"Ma femme"Thank God, monopod but not queerThe taxi drove offLeaving us in the dim light of the swinging bulbNo building in sightWhat the hell"Merci, monsieur""Bon, venez!"His faced creased in pleasure, he set off in front of meSwinging his leg between the crutches with agonising careUp the dusty side road into the darknessAfter half an hour, we'd gone maybe half a mileWhen on the right I made out the low profile of a buildingHe called out in Arabic to announce our arrivalAnd after some scuffling inside, a lamp was litAnd the changing angle of light in the wide crack under the doorSignalled the approach of someone withinThe door creaked open and there, holding a biblical looking oil lampStood a squat, moustached woman, stooped, smiling up at usShe stood aside to let us in and as she turnedI saw the reason for her stoopShe carried on her back a shocking humpI nodded and smiled back at her in greeting, fighting for controlThe gentleness between the one-legged manAnd his monstrous wife almost too much for meIs gentleness too much for us?Should gentleness be filed along with empathy?We feel for someone else's childEvery time a smart bomb does its sums and gets it wrongSomeone else's child dies and equities in defence riseAmerica, America, please hear us when we callYou got hip-hop, be-bop, hustle and bustleYou got Atticus FinchYou got Jane RussellYou got freedom of speechYou got great beaches, wildernesses and mallsDon't let the might, the Christian right, **** it all upFor you and the rest of the worldThey talked excitedlyShe went to take his crutches in routine of careHe chiding, gestured"We have a guest"She, embarrassed by her faux pasTook my things and laid them gently in the corner"Du thé?"We sat on meagre cushions in one corner of the single roomThe floor was earth, packed hard and by one wall a raised platformSome six foot by four covered by a simple sheet, the bedThe hunchback busied herself with small copper pots over an open hearthAnd brought us tea, hot and sweetAnd so to dinnerFlat, unleavened bread, wafer thinCooked in an iron skillet on the open hearthThen folded and dipped into the soft insides of female sea urchinsMy hostess did not eat, I ate her dinnerShe would hear of nothing else, I was their guestThen she retired behind a curtainAnd left the men to sit drinking thimbles full of ArakCarefully poured from a small bottle with a faded labelSoon she reappeared, radiantCarrying in her arms their pride and joy, their childI'd never seen a squint like thatSo severe that as one eye looked out the other disappeared behind its noseNot in my name, Tony, you great war leader youTerror is still terror, whosoever gets to frame the rulesHistory's not written by the vanquished or the damnedNow we are Genghis Khan, Lucrezia Borgia, Son of SamIn 1961 they took this child into their homeI wonder what became of themIn the cauldron that was LebanonIf I could find them now, could I make amends?How does the story end?And so to bed, me that is, not themOf course they slept on the floor behind a curtainWhilst I lay awake all night on their earthen bedThen came the dawn and then their quiet stirringsCareful not to wake the guestI yawned in great pretenceAnd took the proffered bowl of water heated up and washedAnd sipped my coffee in its tiny cupAnd then with much "merci-ing" and bowing and shaking of handsWe left the woman to her choresAnd we men made our way back to the crossroadsThe painful slowness of our progress accentuated by the brilliant morning lightThe Dolmuş duly reappearedMy host gave me one crutch and leaning on the otherShook my hand and smiled"Merci, monsieur, " I said"De rien""And merci à votre femme, elle est très gentille"Giving up his other crutchHe allowed himself to be folded into the back seat again"Bon voyage, monsieur, " he saidAnd half bowed as the taxi headed south towards the cityI turned north, my guitar over my shoulderAnd the first hot gust of windQuickly dried the salt tears from my young cheeks
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